A Perfect Storm: The Jena Six from a
Sociohistorical Perspective
by Juan Battle and Michael Bennett
On September 20, 2007, upwards
of 15,000 people, of all races (though
primarily African American), of multiple
generations, and from all over the United
States converged on Jena, LA. Among
the protesters were Jesse Jackson, Al
Sharpton, Martin Luther King III, New
Orleans Mayor Ray Nagin, and several
self-described White supremacists. On
that same day, similar rallies were held
in other parts of the country. What happened
in Jena that managed to move so
many in the United States to respond so
passionately?
In August 2006, during a back-toschool
assembly at Jena High School, a
Black student asked permission to sit
under a tree in the schools courtyard.
The tree was referred to as the White
Treea gathering spot for White youths
in this town that is 85% White.
The next morning, according to
several accounts, nooses were hanging
from the tree. Most students did not see
the nooses before they were cut down by
school officials, yet word of the matter
got around and school officials eventually
suspended three White students
who were involved. As the New York
Times reported, many local Blacks
saw the incident as an unambiguous
gesture of racial intimidation. Fights
erupted in the town over the next few
weeks. In November 2006, a fire broke
out at the high school. The high school
was closed for several days, and, when
classes resumed in December, another
fight broke out during the lunch hour.
Six youths, according to law enforcement
officials, ganged up on a White student,
who was taken to the hospital. He was
treated and released; later that evening,
he attended a school event.
Six Black youths were arrested
for participating in the beating, and
five were originally charged as adults
with attempted second-degree murder,
although those charges were later
reduced. One of the six was convicted
of aggravated second-degree battery,
but the conviction was thrown out in
September 2007 by a Louisiana appeals
court, which ruled that he mistakenly
had been tried as an adult.
Modern Look at Racism
The protests organized during that
same month arose out of a conviction
that the Jena Six represent the latest
incarnation of a separate and unequal
social, educational, legal, and judicial
system that has characterized the United States from its inception. Viewing these
events through a sociohistorical lens, one
can see the simultaneous occurrence of
early modern, late modern, and postmodern
forms of racism. Jena is the eye
of a perfect storm that brings together
these various historical forms of racism
and the institutions through which they
are manifested.
The image of the noose conjures
the legacy of racial violence stretching
back to the origins of the slave trade.
It symbolizes the history of state-sponsored
racial terrorism that was, in theory,
superseded in the late
modern period by the era
of integration. However,
the older generation of
protestors at Jena lived
through a time when the
noose was not merely a
symbolic lynching.
The mid-twentieth century was
supposed to see the end of separate
but equal as the law of the land. Brown
v. Board of Education (1954), the Civil
Rights Act (1964), and the Voting Rights
Act (1965) all symbolized the intention
of equality between Blacks and Whites.
However, as we move from the prescription
of late modern intentionality to the
description of the postmodern materialization
of race relations, a very different
experience comes into view.
De Jure to De Facto
Jena reminds us that social and
spatial segregation persists despite
surface changes in education, the judicial
system, and other social institutions.
Though no longer legal, segregation is
very much alive and supported throughout
various social structures in the
United States. A tree bearing strange and
forbidden fruit is a central symbol for
both Black and White religious observances,
but the most segregated hour
in America is still 11 oclock on Sunday
morning, as Martin Luther King, Jr., so
eloquently expounded. Contemporary
forms of racism may not be de jure, but
they are de facto.
One postmodern
manifestation
of racism is spatial
discrimination; its
understood that, even
in the absence of legal
prohibitions, this space
is for White people
and that space is for Black people. When
such boundaries are violated, the old
symbols and structures of racism may
be summoned as reminders of the rules
concerning power, places, and peoples.
The Black students of Jena are given
the message that though they might go
to that school, it is not their school. On
a larger scale, the striking dissimilarity
between the malign neglect of Black
residents of New Orleans in the wake
of Hurricane Katrina and the proactive
intervention for White residents displaced
by Southern Californias wildfires
demonstrates the separate and unequal
socioeconomic privileges and public
policy perks experienced by different
races and the spaces they inhabit.
The inequality of our social institutions
the criminal justice system, the
education system, voting irregularities
in Ohio and Florida, lack of equal
access to healthcareteaches us that
to be Black in the United States is to be
consistently reminded that though you
call this country home, you do not own
anything in the house. You are not to
be an actor; you are to be acted upon.
The Jena Six story became a perfect
storm, a lightening rod for protest,
because it embodied the message
that, though the legal structures that
enforce racism are gone, the social
structures that perpetuate it are not.
Public schools are more segregated in
2007 than they were in 1954. Though
Jim Crow is dead, James Crow, Esq.,
is alive and well. As a result, every
generation of Black Americans will
have experienced at least one type of
segregationwhether legal, socioeconomic,
or spatialand some form of
racism, from the most obvious to the
most subtle. These various embodiments
of U.S. racial history simultaneously
occurred in that one story, in that
one small town, with those six boys, in
Jena, LA.
Juan Battle (jbattle@gc.cuny.edu) is
Professor of Sociology at the Graduate
Center of the City University of New York
and the immediate past president of the
Association of Black Sociologists. Michael
Bennett is Professor of English at Long
Island University-Brooklyn. They are the
co-editors, with Anthony Lemelle, of Free
at Last? Black America in the Twenty-
First Century.